(University of Florida)
   Professor, Department of English, 1985-2015
Director, Film Studies, 1986-1989) Co-Director, Institute for European & Comparative Studies 1987-1990 (with Jack Zipes) Associate Professor, 1977-1985 (tenured, 1977, Humanities Department). Acting Chair, Humanities, Fall, 1979. Assistant Professor, 1972-1977, Humanities Department, UF.


   Ph.D. Comparative Literature, Brown University, Providence, RI,
   B.A.   History and English, Univ of Montana, Missoula, MT, 1967
	Institute of European Studies, Madrid, Spain, 1965-66.


   Distinguished International Fellow, the London Graduate School
   Academy of Distinguished Teaching Scholars (UF) 2006-2009
   Marquis Who's Who in America (2010)
   Opportunity Fund, Office of Research, Technology, and Graduate
	Education, University of Florida, Principal Investigator, 
	"Imaging Florida" (Florida Research Ensemble), $64,022,
	Summer, 1998.
   Sun Microsystems Computer Company, Academic Equipment Grant,
	Principal Investigator, College of Liberal Arts & Sciences, 
	U of Florida, $72,339, 1998.
   Professional Excellence Program,  University of Florida, 1996
	(for Senior Professors, 9% raise to base salary).  
   First Herb and Catherine Yardley Term Professor, College of
	Liberal Arts and Sciences, 1995-1996.
   Teaching Improvement Award, 1994-1995 ($5,000 raise)
   College and University Awards, Outstanding Undergraduate
	Teaching, 1990-91.
   Finalist, Teacher of the year, College of Liberal Arts &
	Sciences, 1983-84.
   Lilly Foundation Postdoctoral Teaching Fellow, 1979-80  
   NEH Summer Research Grant, 1979 ($2500).
   School of Criticism and Theory, University of California, Irvine,
   	Summer, 1976	


   University of Texas, Austin: Digital Humanities Institute, 4/14/2017
   RCID Program, Clemson University, Jan Holmevik 
   Mentorship, Creative Writing PhD, Flinders University, 
	Adelaide, Australia, 2010.
   Pre/Text Games and Rhetoric Symposium, RCID, Clemson University, April
	8-9, 2010.
   Center for New Designs in Learning and Scholarship, Georgetown 
	University, March 11, 2008
   Urspin, Advisory Board.
   Symposium on Simulation, University of Central Florida, Dec.5-6, 2003.
   Program in Text and Technology, The University of Central Florida,
	April 7-8, 2002.
   The National Council on Disciplines and Education (Woodrow Wilson
	Foundation), "A National Literature Project: An Exploration,"
	Philadelphia PA Dec. 1-2, 2000.
   The Graduate School of Europe, Seminar on Electracy, Saas-Fee,
	Switzerland, August, 2000, 2001; June, 2002, 2003, 2004, 2009
   Aalto Centennial, City of Seinajoki New Library International
	Student Competition, 1998
   Andersen Worldwide, Center for Professional Education, St.
	Charles IL.  Leadership Team Meeting, Jan. 1998.
   Association of Collegiate Schools of Architecture, Teachers'
	Seminar at Cranbrook, Workshop, Summer, 1998.
   The EcoDesign Foundation, Sydney, Australia, August, 1995
   Workshop on Theory and Composition, with Bob Scholes and Nancy Comley,
	English Council of California Two-Year Colleges, Lake Arrowhead, 
	CA May 1-4, 1988
   English Coalition Conference, Aspen Institute for Humanistic Studies,
	Wye Plantation, Queenstown, MD  July 6-24 1987
   Workshop in Criticism, Saint John's University, Collegeville, MN May
 	24-27, 1986


   Blogging Pedagogy (University of Texas, 2009- )
   MediaTropes (Canada)
   Fibreculture (Australia)
   PMLA (Advisory Committee, 2004-07)
   Works and Days
   Postmodern Culture (1990-2005)
   Ctrl-Z (Centre for Culture & Technology) Australia 2011-
   Technographies (Open Humanities Press)


   Participatory Composition: Video Culture, Writing, and Electracy, 
	Sarah J. Arroyo, Southern Illinois U, 2013
   Imaging Place, Special Issue of Rhizomes, Edited by Craig Saper, John
	Craig Freeman, W. F. Garrett-Petts, on choragraphy, 2008
   New Media/New Methods: From Literacy to Electracy,, Eds. Jeff Rice and 
	Marcel O'Gorman, Parlor Press, 2008 (on the Florida School).
  Illogic of Sense:  The Gregory L. Ulmer Remix, Eds Darren Tofts, Lisa Gye.  
Design by Joel Swanson.  Experiments by McKenzie, Walker, Saper, Wilken, 
O'Gorman, Hoskin, Jarrett.  AltX Ebook


   Konsult: Theopraxesis, Parlor Press, Electracy and Transmedia
	Studies, 2019

   Electracy: Gregory L. Ulmer's Textshop Experiments, The Davies
	Group, Publishers, 2015, 352pp

   Avatar Emergency, Parlor Press, New Media Theory Series, 2012, 293pp

   Miami Virtue:  Choragraphy of the Virtual City, e-book + archive
	(with John Craig Freeman, Barbara Jo Revelle, William Tilson)
	Community-University Research Alliance, Small Cities Imprint 
	Vol 3 No 2 2012  332pp 

   Electronic Monuments, University of Minnesota Press, Electronic 
	Mediations Series, 2005, 273pp

   Internet Invention: From Literacy to Electracy, Longman 
	Publishers, Boston, MA, Writing and Technology Series, 
	2003, 335pp

   Heuretics:  The Logic of Invention,  Johns Hopins University
	Press, 1994, 267pp.

   Teletheory:  Grammatology in the Age of Video,  Routledge,
	1989, 246pp.  
	2nd Revised Ed., Atropos Press, 2004

   Applied Grammatology:  Post(e)-Pedagogy from Jacques Derrida to
	Joseph Beuys  Johns Hopkins University Press, 1985, 334pp.
	3rd Printing, 1992.


   "Sounding the Unconscious," in Glassary, Ed. John P. Leavey,
	Jr. University of Nebraska, 1986: pp 23-129.

   The Legend of Herostratus:  Existential Envy in Rousseau and
	Unamuno,  University of Florida Presses, 1977, 79pp.


   Text Book:  An Introduction to Literary Language,  New York,
	St. Martin's Press, 1988.  2nd edition, 1994.  3rd edition, 2002
	(Text Book:  Writing Through Literature) 340pp. Co-Author, 
	with Robert Scholes and Nancy Comley. 


   "Foreword: The Apparatus of Attraction," in Jason Helms, Rhizcomics:
	 Rhetoric, Technology, and New Media Composition. Digital Rhetoric 
	Collaborative, 2017.
    "Beyond the Virtual Public Square: Ubiquitous Computing and the New 
	Politics of Well-Being," in Augmented Reality Art, Vladimir Geroimenko, 
	Springer, 2014
   "Post-Criticism: Conceptual Takes," in The Routledge Companion to Experimental
	Literature, Ed. Joe Bray, Alison gibbons, Brian McHale, New York
	Routledge, 2012
   "Quale Morphics: Strategic Wisdom," in Ecology, Writing Theory, and New
	Media, Ed Sidney I. Dobrin, Routledge, 2012.
   "Electrate Becoming," Foreword, in Jan Rune Holmevik, Inter/vention,
	MIT Press, 2012.
   "L'Objet du Post-Criticisme," translation of "The Object of 
	Post-Criticism," in Images et (Re)Presentations: Les Annees 1980,
	Seconde Partie (bilingual ed.), Magasin: Centre National d'Art 
	Contemporain de Grenoble, France (2008): 12-46.	 
   "Florida Out of Sorts," in New Media/New Methods, Eds. Jeff Rice and
	Marcel O'Gorman, Parlor Press, 2008: 21-46.
   "Choral Consulting," in Verstehen und Verstandigung:  Interkulturelles 
   	Lehren und Lernen, Eds. Petra Bosenius, Andreas Rohde, Martina Wolff,
	Trier: Wissenschaftlicher Verlag, 2008: 209-24.
   "Image Heuretics," in Contemporary Poetics (Avant-Garde & Modernism
	Studies), Ed. Louis Armand, Northwestern University Press (2007):  
   "Performance:  Joseph Beuys," in Joseph Beuys: The Reader, Eds. Claudia 
	Mesch and Viola Michely, MIT Press (2007): 233-49
	(reprinted from Applied Grammatology).
   "Choramancy:  A User's Guide," in Mind Factory, Ed. Louis Armand, Prague, 
	Czech Republic:  Litteraria Pragensia (2005): 200-259.
   "Grammatology of the Future," in Deconstructing Derrida, Eds, Peter 
	Trifonas, Michael A. Peters, New York: Palgrave (2005): 137-164.
   "A-Mail (Differential Imaging)," in  Thinking Difference:  Critics in
	Conversation, Ed. Julian Wolfreys, Fordham U.P., (2004) 124-146.
   "Chora," in Glossalalia:  An Alphabet of Critical Keywords, Ed. Julian 
	Wolfreys, Edinburgh University Press (2003) 35-49.
   "The Internet and its Double: Voice in Electracy," in Theoretical and 
	Conceptual Innovation in Digital Domains, Eds. Gunnar Liestol, et al
	MIT Press (2003): 91-113.
   "Reality Tables: Virtual Furniture," in Prefiguring Cyberculture, Eds. 
	Darren Tofts et al MIT Press, co-publish with The Power Institute, 
	Sydney, Australia (2002): 110-129 
   "Traffic of the Spheres," in Car Crash Culture, Ed. Mikita Brottman,
	New York: Palgrave, 2002: 327-343 (French trans. forthcoming).
   "Text Culture Grammatology," in Reimagining Textuality:  Textual Studies
	in the Late Age of Print," Eds. Elizabeth Bergmann Loizeaux and 
	Neil Fraistat, Madison:  Wisconsin, 2002: 241-250.
   "The Upsilon Project: A Post-Tragic Testimonial," in Psychoanalysis and
	Performance, Eds. Adrian Kear and Patrick Campbell, Routledge,
	2001: 203-217.	
   "Foreword/Forward (Into Electracy)," in Literacy Theory in the Age 
	of the Internet, Eds. Todd Taylor and Irene Ward, New York:
	Columbia, 1998: ix-xiii
   "Kubla Honky-Tonk," in Language Machines, Eds Vickers et al,
	Routledge, 1997: 252-71
   "Deconstructing the Family Album," in Class Issues:  Pedagogy,
	Cultural Studies, and  the Public Sphere, Ed. Amitava
	Kumar, New York University, 1997:  276-289.
   "Electracy:  Designing Cyber-Pidgin," in Interface 3:  Labile
	Ordnungen, Ed. Klaus Peter Dencker, Hamburg:
	Hans-Bredow-Institut, 1997:   280-290.
   "The Heuretics of Odyssey," in Pedagogy, Praxis, Ulysses, Ed.
	Robert Newman, U of Michigan, 1995.
   "The Miranda Warnings," in Hypertext and Theory, Ed. George
	Landow, Johns Hopkins, 1995:  345-377.
   "One Video Theory (some assembly required)," in Critical Issues
	in Electronic Media, Ed. Simon Penny, Albany: SUNY, 1995:  
   "The Heuretics of Deconstruction,"in Deconstruction and
	the Visual Arts, Eds. Peter  Brunette, David Wills.  Cambridge
	U Press, 1994:  80-95.  
   "Grammatology (in the Stacks) of Hypermedia," in Literature
 	Online:  the Promise and Peril of Reading and Writing with
	Computers,  Ed. Myron C. Tuman, Pittsburgh, 1992: 139-163.
   "The Spirit Hand:  On the Index," in Theory/Pedagogy/Politics,
	Eds. Donald Morton,  Mas'ud Zavarazdeh (Illinois, 1991):136-151.
   "Textshop for an Experimental Humanities," in Reorientations:
	Critical Theories & Pedagogies,  Eds. Bruce Henricksen, 
	Thais E. Morgan (Illinois,    1990):  113-132. 
   "The Puncept in Grammatology," in On Puns:  The Foundation of
	Letters,  ed. Jonathan Culler, Basil Blackwell, 1988:  164-189.
   "Mystory:  The Law of Idiom in Applied Grammatology," in The
	Future of Theory, Ed. Ralph Cohen, Methuen, 1989.
   "Teletheory:  A Mystory," in The Current in Criticism, eds.
	Clayton Koelb,Virgil Lokke, Purdue University Press, 1987:  
   "Textshop for Postepedagogy," in Writing and Reading
	Differently: Deconstruction and the Teaching of Composition, 
	Eds. G. Douglas Atkins and Michael Johnson, Kansas University 
	Press, 1985:  38-64.
   "Op Writing:  Derrida's Solicitation of Theoria" in
	Displacement, ed. Mark Krupnick, Indiana University Press,
	1983:  29-58.
   "The Object of Post-Criticism," in The Anti-Aesthetic:  Essays
	on Postmodern Culture, ed. Hal Foster, Bay Press, 1983:  
	83-110.  Reprinted in Collage:  A Reconsideration, Ed.
	Katherine Hoffman, UMI Research Press, 1989.
       French translation in:  Des Arts, Hiver 86-87, No 5: 77-84. 


   "The Un/Official World," American Book Review, 38:2, 2017
   "Advising the Tyrant of Syracuse: Notes on the Recommendations on the
        Future of MIT Education," with Mark Goulthorpe, MIT Faculty
        Newsletter Vol. XXVII No. 3, 2015
   "Flash Reason," in CyberText Yearbook, Guest Editors: Cynthia Haynes &
	Jan Rune Holmevik, University of Jyvaskyla 2013
   "Electracy: The Internet as Fifth Estate," in Journal of Pedagogic
	Development, (U of Bedfordshire) Vol 3, July 2013
   "Florida Measure (Chora)," in Journal of Florida Studies, Vol 1 (2011)
   "Walden Choragraphy: Frog Maintenance," in Discourse 31 (2009) 72-85.
   "Heuretic Mythography," in Pre/Text 19 (2009): 53-71. 
   "The Chora Collaborations," in Rhizomes 18 (2008) 
   "Derrida in Miami (Miautre)," in The European Legacy, special issue 
	edited by Eric White, Volume 12 Issue 4, July 2007
   "Text/Hypertext," in Blackwell Encyclopedia of Sociology, Ed.
	George Ritzer (2007), Vol X: 4971-4.
   "Archive Derrida," POIESIS 7 (2005): 58-63.
   "The Genealogy of Ascetic Ideals:  A Remake," Space and Culture
	6 (Fall, 2000):  102-114.
   "After the Fact:  Learning Trauma," PARALLAX 19 (1999): 62-74
   "I Had No Idea:  The Origin of the Asterisk," BROADSHEET 27
	(1998) (Contempoary Art Centre of Southern Australia)
   "The Grammatology Of Distance Learning," Text Technology 7
   "A Response to Michael Joyce's '12 Blue' Postmodern Culture
	(September, 1997).
   "I Untied the Camera of Tastes (Who Am I?): The Riddle of
	Chool,"	New Literary History 28 (1997):  569-594.
   "The Unheimlich Manuever," Lusitania 8 (1996):  134-141.
   "Exhibit X:  Hoopla Dreams," Journal X, 1 (1996):  145-158.
   "Abject Monumentality," Lusitania 1  (1993):  9-15.
   "Sacrificing Music:  Electronic Monumentality," and
	"Wreck-Work," in Semiotexte/Architecture, (1992):  34-41.
   "Electronic Monumentality," NOMAD (1992).
   "Theory Hobby Handbook:  Lesson Ten," Exposure 28 (1991):
	85-90 (Society for Photographic Education).
   "Grammatology Hypermedia," Postmodern Culture 1.2 (1991)
   "The Euretics of Alice's Valise," Journal of Architectural
	Education 45 (1991):  3-10.   
   "Confrontation:  For a New Consultancy," Oxford Literary 
	Review 12 (1990):  155-171.
   "Theory Hobby:  how-to-theory," Art & Text 37 (1990):  96-101.
   "Interview:  The Making of "Derrida at the Little Bighorn,"
	Strategies 2 (1989):  9-23. Reprinted in R. L. Rutsky and
	Bradley J. MacDonald, Eds.,Strategies for Theory (Albany:  SUNY,
	2003):  145-157
   "Handbook for a Theory Hobby," Visible Language 22 (1988):
   "Textshop for Psychoanalysis:  On De-Programming the Student
	Platonist," College English 49 (1987):  756-769 
	(special issue, ed. Robert Con Davis).
   "Roland Barthes and the Marx Brothers," Yale French Studies 73
	(1987): 38-59.
   "Of a Parodic Tone Recently Adopted in Criticism," New Literary
	History 13  (1982):  543-560.
   "Barthes's Body of Knowledge," Studies in Twentieth-Century
	Literature 5 (1981):  219-235.
   "The Post-Age," Diacritics 11 (1981):  39-56.
   "The Discourse of the Imaginary," Diacritics 10 (1980): 61-75.
   "Jacques Derrida and Paul de Man on/in Rousseau's Faults," The
	Eighteenth Century  20 (1979):  164-181.
   "Fetishism in Roland Barthes's Nietzschean Phase, Papers on
	Language and Literature  14 (1978):  334-355.
   "Borges and Conceptual Art," Boundary2  5 (1977):  845-861.
   "Sociocriticism," Novel 11 (1977):  70-76.
   "Roland Barthes and the Phenomenology of Reading," French
	Literature Series  4 (1977):  107-116.
   "D. H. Lawrence, Wilhelm Worringer, and the Aesthetics of
	Modernism," The D.H. Lawrence Review 10 (1977):  165-181.
   "Rousseau and D.H. Lawrence:  'Philosophes' of the 'Gelded'
	Age," Canadian Review of Comparative Literature 4 (1977):
   "Crime, Violence, and the Popular Arts," Southern Humanities
	Review 9  (1975):  277-288.
    "Clarissa and La Nouvelle Heloise" Comparative Literature 24
	(1972): 289-308.


    "Avatar Emergency," Digital Humanities Quarterly, special issue
    "Electracy as Apparatus," Constructions of the Future, Conference, 
	Heidelberg, Germany, July 16, 2011,  Skype presentation.
    "Class Portrait with Daimon, a Remix," in Remixthebook, Mark Amerika
	University of Minnesota Press, 2011
    "The Learning Screen," Networked Book (Turbulence.org) 2009
   "Design Education and Electracy," in DESIGN PHILOSOPHY PAPERS 5
	(2003) www.desphilosophy.com
   "Ackeracy in Reporting" and "After Method:  The Remake" in CULTURE
	MACHINE 5 (2003), culturemachine.tees.ac.uk/frm_f1.htm
   "The Art of the Future," in THE ANTHOLOGY OF ART:  JOCHEN GERZ, 
	Braunschweig School of Art, www.anthology-of-art.net/ Dec.15-
	Dec.31, 2001.
   "Cyberpidgin," CU-SeeMe presentation for VERVE:  THE OTHER
	WRITING, Ngapartji Multimedia Centre, Artists Week, Telstra 
	Adelaide Festival 2000, March 9 (2000), http://vervewriting.org/
   Invited "Speaker," Electronic Writing Research Ensemble, In
	collaboration with Parallel Gallery (Adelaide, Australia) 
	online symposium (web and email), June, 1998:
   "Hot List," Artforum 37 (1998):  22
   "Wishing Y," with Linda Marie Walker, ALT-X ONLINE PUBLISHING NETWORK,
   Host, Online Symposium:  Artistic Practice in the Network,
	Eyebeam Atelier and the X Art Foundation, Feb 1-April 30,
	1998, a sample published in Eds. Amy Scholder with Jordan
	(New York:  Eyebeam, 2001).
   Co-Director, 14th Computers & Writing Conference, U of Florida,
	May 28-31, 1998
   Moderator, INVENT-L email listserv (sub: listserv@lists.ufl.edu,
	Archive www.lists.ufl.edu/archives/invent-l.html)
   Blog:  http://heuretics.wordpress.com
   Blog:  http://routine.electracy.com


   Panelist, "Media Race," satellite teleconference, Scanticon
	Center, Penn State U, 9/29/94.
   Faculty Advisor and on-camera critic (9 of 26 programs),
	Literary Visions, Produced by the Southern California 
 	Consortium, sponsored by the Annenberg Foundation (first 
 	broadcast, PBS, fall, 1992).
   Writer, Director,  Greg Ulmer on Telerevisioning Literacy
	(video, 28m), produced  and distributed by Paper Tiger
	Television, New York www.papertiger.org, #160, 1989.
   "The Mr. Mentality Show" (video, 7m) in Apocalypse and Utopia
	(video, produced by the Critical Art Ensemble), Drift
	Distribution, New York City. 

(with B. Revelle, J. C. Freeman, Jack Stenner, Will Pappenheimer)

   "School Shootings eMorial," Augmented Reality installation, exhibition with
	Manifest: AR, Corcoran Gallery of Art, Washington, D.C., 8-14-13 to 
   "Murphy's Well-Being," Installation, Computer Art Congress 3, PostDigital
	Art, Nov 26-29, Paris, France http://postdigital.eu/program 2012
   "Murphy's Well-Being," Interactive Konsult installation, in "Region 4:
	Transformation Through Imagination," Exhibition, Thomas Center 
	for the Arts, March 2-April 28, 2012 (Revelle, Stenner, Ulmer) 
   "Imaging Beijing," (Freeman, Ulmer) 
   "Imaging Kaliningrad," (Freeman, with Ulmer), in Art Guide: 
	Koenigsberg/Kaliningrad Now, Ed. Elena Tsvetaeva, National Centre 
	for Contemporary Arts, Kaliningrad, Russia, 2005: 96-99.
   Synthesis and Distribution: Experiments in Collaboration, exhibit
	curated by Will Pappenheimer, Ron Janowich, Merlin Van Der Heijden
	Pace University Art Galleries, New York, Nov 15-Dec 16, 2005
	(Pappenheimer and Ulmer)
   "Imaging Place:  Boston," Boston Cyberarts Festival, (Freeman
	with Ulmer), Installation, 4/27 - 5/8, 2005
   "Imaging Place: the Broken Bridge," (Freeman, with Ulmer) DVD-data,
   "Soft Wishing Y (for 9/11)," artUS 1:1 (Nov-Dec 2003):  34-35.
   "Miami Miautre:  Mapping the Virtual City," PLR (Prague Literary 
	Review) 1:2 July 2003: 17
   "Image Emergency," Artists' Statements, LEONARDO 36:3 (2003): 197-98.
   "Miami Miautre:  Mapping the Virtual City--A Preview," in Journal of
	Visual Culture, 1:3 (2002).
   "Soft Wishing Why Monument" (Pappenheimer, with Ulmer), Free Biennial, 
	New York City, April, 2002,  
   "Miami Choragraphy," Lecture, Colloquium, Seminar, with William Tilson,
	sponsored by the Design Division, Division of Rhetoric and 
	Composition, and the Humanities Institute, University of Texas,
	Austin, February 25-26, 2002.
   "Imaging America," (Freeman, with Ulmer) in Paradise in Search of a Future
	January 25, 2002-March 23, 2002, Curated by Lisa Fischman Atlanta 
	Contemporary Art Center  www.nexusart.org/ (originated by Center 
	for Exploratory and Perceptual Art, Buffalo, NY)  
   "Imaging Niagara," (Freeman, with Ulmer) in Paradise in Search of a
	Future, September 21 - December 22, 2001, CEPA Gallery. Buffalo, NY.
     "Mapping the Virtual City," Souths:  Global and Local: An
	Interdisciplinary Conference, University of Florida, April 5,
   "MIAMI MIAUTRE:  A Trailer," LEONARDO (ISAST), Artist Statement
	Leonardo Electronic Almanac Vol 9 No 3 (2001).
   "Virtual Florida," John Craig Freeman, with Ulmer, Revelle, Tilson,
   "MIAMI/MIAUTRE:  A Choragraphy of the Miami River, FL," Revelle and 
	Pappenheimer, with the FRE (video, 26min), included in POLYLOGUE:
	A VIDEO ASSEMBLAGE, Yury Gibman and Michele Shauf, Digital Arts
	and Culture Conference 1999, Oct 28-30, 1999, Atlanta,GA.
   "Imaging Florida," EXPOSURE 32 (1999): 35-43 (Society for 
	Photographic Education) 
   "The New Consultancy," 14th Annual Computers and Writing Conference,
	Gainesville, FL, May, 1998
   Jacksonville Museum of Contemporary Art, Lecture-Demonstration,
	In conjunction with the exhibition "Between," April 9 and
	16, 1998.
   "Florida Psychogeography:  Halbinselneid (Peninsula Envy),"  
 	Installation, in exhibition, Florida Landscape:
 	Revisited, Polk Museum, Lakeland, FL, 1992
    Online Projects, web.nwe.ufl.edu/~gulmer


   "Theopraxesis and the Future of H'MMM in the University: An Interview
	with Gregory L. Ulmer," Sergio C. Figueiredo, in Journal for Culture
        and Religious Theory, 16:1, 2017
   "Teaching in  the Margins," Interview by Jesse Miller, Full Stop
   "Electronic Humanities and the FRE," interview by Chris Carter, 
	Electronic Book Review 11-11-03 www.electronicbookreview.com/v3
   "The Future of the Humanities," interview and Korean translation
	 by Sung-Do KIM, in Dong-Ah Ilbo, Seoul, South Korea,
	 4/18/03: A18. Complete interview in CRITICA 11 (2003): 114-157
   "Toward Electracy:  A Conversation with Gregory Ulmer," by Talan
   "Imaging emerAgency:  A Conversation with Gregory Ulmer," by
	Joel Weishaus, POSTMODERN CULTURE 9 (1998) 
   "The Art of Gluing:  An Electronic Interview with Gregory
	Ulmer," by Joseph Tabbi, Weber Studies 14 (1997):  44-55.
   "Theory On TV: Gadget Goes to  Florida," by Laurence A.
	Rickels, Artforum, January, 1996: 68-71.
   Knight-Ridder Newspapers, article by Jack Wheat, 9/94
   "Crossing Tracks," by Anne Morgan, in Hybrid  2 (UK) April/May
 	1993:  6-7.
   "A Few Moments with Greg Ulmer," by Charles Fishman,  Florida
	Magazine (Orlando Sentinel, July 8, 1990.
   "Interview:  Greg Ulmer," by Critical Art Ensemble, Artpapers
	14 (1990): 17-22. 


   "Discourse of the Imaginary," reprint, translation in German, in
	Exile of the Imaginary:  Politics, Aesthetics, Love, Ed. Juli
	Carson, Generali Foundation, Wien, 2007.
   "Swamp Value," in SWAMP:  ON THE EDGE OF EDEN, Harn Museum, 
	Gainesville, Florida 9/17/00-1/7/01	
   "An Ordinary Evening in Adelaide," in WARM FILTERS/PAINTINGS
	FOR BUILDINGS, Curators, Linda Marie Walker and Anton Hart,
	Contemporary Art Centre of South Australia, Adelaide, 1999
	(Adelaide Festival 2000, March 3-19).
   "Patch," in THE NOON QUILT, Eds. Teri Hoskin and Sue Thomas, 
	Nottingham Trent University, UK, 1999.
   "Ackeracy in Reporting (The Last Supper in Santa Barbara by Paolo
	Veronese)," TERMINALS, Eds. Connie Samaras and Victoria Vesna
	(Univ of California, Los Angeles, 1999).
   "THEORYHOBBY (A Shorebird of Mood)," Lux:  Notes for an Electronic
	Writing, Contemporary Art Centre of South Australia, Fall, 1999
   "The X Tables:  Dialogues with the Prosthetic Unconscious," in
 	ISEA '94, the Fifth International Symposium on Electronic
	Art, Helsinki, Finland, 1994.
   "Comments on Cage," in "Not Wanting to Say Anything About John":
   	Hommage a John Cage,1912-1992.  Ecole Regionale des Beaux-Arts
	de Rouen, Rouen, France, 1993.
   "Metaphoric Rocks:  A Psychogeography of Tourism and
	Monumentality," The Florida Landscape:  Revisited,  Ed.
	Christoph Gerozissis.  Lakeland:  Polk Museum, 1992.
	Online version in POSTMODERN CULTURE Vol 4. no 3, May 1994
   Respondent,  "A Psychological Test:  Kandinsky's Questionaire,"
	in The Bauhaus and Design Theory, Eds. Ellen Lupton & J.
	Abbot Miller, Cooper Union, New York: 1991.


  "Visceral Design," Seminar on Design and Technology, MIT, 11/7-9/2016.
  "Electracy: The Digital Apparatus," Poetics of the Algorithm: Narrative,
     the Digital, and "Unidentified" Media, ACME Comics Research Group,
     University of Li├Ęge , Belgium, June 17 2016.
  "Apparatus Love," Electronic Poetry Center, SUNY at Buffalo, April, 2015  
  "H'MMM + STEM in the Electrate University," CCCC Risk and Reward, Tampa
	FL March 20, 2015
  "Electracy," Texts and Technology Program, University of Central Florida
	January 26, 2015
  "The Design Technology Fit," SMArchS Colloquium, MIT Architecture, Cambridge
	MA, Oct 10, 2014 
  "Keynote," Next Generation Learning Workshop, Clemson University, 
	Academic Technology Council, Clemson, SC Nov 8, 2013
  "Enlightened Environments (Apophatic Design)," SMArchS Colloquium, MIT
	Architecture, Cambridge, MA, Oct 18, 2013
  "EmerAgency/Electracy," SMArchS Colloquium, MIT Architecture, 
	Cambridge, MA, Oct 5, 2012
  "Electracy," Emerson College, Boston, MA, Oct. 4, 2012.
  "EmerAgency Consulting," First-Year Composition Speakers Series, University
	of South Florida, Tampa, March 25, 2011. 
  "Heuretics of Avatar," Futures of Digital Studies, University of 
	Florida, Gainesville, Feb 26, 2010.
   "Writing to Avatar," Computers and Writing Research Lab, University
	of Texas, Austin, October 30, 2008.
   "Electracy," Georgetown University, Washington, D.C., March 11, 2008
   "Heuretic Consulting," Keynote, Invent-L Conference, Imaging Place,
	Gainesville, FL, 2/23/07
   "Derrida's Passage into Electracy," Derrida Who? or What? 
	Conference, Gainesville, Florida, 10-10-06
   "Flash Reason Against the Internet Accident," Conceptual Studies Lecture
Series, University of Wisconsin, Milwaukee, Sept. 30, 2005.
   "Multimodalities in Literacy and 'Electracy': A Conversation with 
Gregory Ulmer," featured session, Conference on College Composition and 
Communication, San Francisco, March 17, 2005.
   "Inventing Electracy," Keynote address,  Merging Word and Image, LSU
English Mardi Gras Conference, Feb. 4, 2005, Baton Rouge, LA.
   "Electracy:  Encounters," Transforming Encounters: Children's Libraries 
Unbound, University of Florida, Gainesville, 4/2/04
   "Image Metaphysics in Electracy," European Graduate School, Saas-Fee,
Switzerland, June 9, 2004
   "The Inference Gift," Beyond/After the Screen:  the Impact of 
Documenta X, XI on Contemporary Film and Video Practices, The Harn
Museum, Gainesville, FL 4/10/03
   "Beyond Black Mountain College:  Innovative Approaches to 
Education," panel at Under the Influence: Celebrating the Legacy of Black 
Mountain College, Asheville, NC, Sept. 21, 2002, 
  "Conduction:  The Fourth Inference," European Graduate School, Saas-Fee,
Switzerland, 8/15/01
  "Grammatology of Memory," special session on Literacy and Media, Modern
Language Association national meeting, Washington, D.C., 12/28/00
  "Internet Heuretics," Keynote address, Incubation, TrAce International
Conference on Writing and the Internet, Nottingham Trent University,
Nottingham UK trace.ntu.ac.uk/incubation/, 7/11/00.
  "What Is Electracy?" Vassar College, Poughkeepsie, NY, 5/31/00
  "Critical Divination Studies," New Literacies Project, Minneapolis,
University of Minnesota, 4/28/00
  "Introduction to Electracy," Tulane University, New Orleans, 4/3/00
  "The Trojan Cow of Media Studies," Plenary Panel, Society for Cinema
Studies national meeting, West Palm Beach, Florida, 4/15/99
  "Electronic Monumentality," The NSCAD Lecture Series, Nova Scotia
College of Art and Design, Halifax, Nova Scotia, Canada 3/19/99
  "The New Consultancy," Carol Soucek King Lectureship, Woodbury
University, Pacific Design Center, Los Angeles, CA 2/26/98
  "Heuretics of Design," Architecture College, Iowa State University, Ames
IA 11/97
  "Virtual Modality," From Energy to Information, University of Texas,
Austin TX 4/4/97
  "Scholarship Online," Getty Forum, American Society for 18th-Century
Studies, National Meeting, Nashville, TN 4/10/97
  "Computers and the Creative Mind," School of Arts and Sciences,
University of Pennsylvania (Celebration, ENIAC Anniversary), 3/19/96
  "Designing in Cyber-Pidgin," Interface 3: Labile Ordnungen, Symposium on
Art and Technology, Hamburg, Germany, 11/3/95
  "Kubla Honky Tonk," Language Machines, The English Institute, Harvard
University, Cambridge MA, 8/27/95
  "Choragraphy and the Internet," Power Institute of Fine Arts, University
of Sydney, New South Wales, Australia, 8/15/95
  "Pedagogical Policies," Plenary Panel, International Symposium on
Electronic Art, University of Art and Design, Helsinki, Finland, 8/21/94
  "Technology and Postmodern Culture," Wexner Center, Ohio State
University, 11/3/93
  Critical Forum Address, South Atlantic Modern Language Association,
Knoxville, TN 11/92
  "An Evening with Gregory Ulmer," Image Film and Video Center, Atlanta,
GA, 1/17/92
  "The Southwest and Film," Southwest Texas State University, San Marcos,
TX, 7/6/91
  "Teletheory," University of Southern California, 4/6/91
  "How to Teletheory," Carnegie Mellon University, Pittsburgh, PA 3/15/91
  "Video Grammatology," Modern Language Association, Chicago, IL  12/28/90  
  "Electronic Taboo," Performance Studies, Tisch School of the Arts, New
York University, New York, NY 10/5/90
  "The Wexner Center in Context," Wexner Center for the Visual Arts, Ohio
State University, Columbus, Ohio 10/22/90
  "Libraries in the Age of Electronics," Volusia County Public Library,
Daytona Beach, FL 8/23/90
  "Design Heuretics," Department of Architecture, Cornell University,
Ithaca, NY 4/26/90
  "After Teletheory," English Department, State University of New York,
Buffalo, NY 4/24/90
  "Inventing Heuretics," Department of English, Emory University, Atlanta,
GA 11/16 89
  "The Blissense of Mystory," Whitney Museum of American Art, New York, NY
  "The Grammatology of Interactivity," 16th Annual Alabama Symposium on
English and American Literature, LITERACY ONLINE, Tusacaloosa,AL 10/29/89
  "The Textual Invention of Institutions," Religion and Contemporary
Interpretations, University of Southern Mississippi, 3/20/89
  "Architecture, Public Space and Modernity," First Annual North Florida
Architectural Conference, University of North Florida 4/28/89
  "Theory Art," School of Art, East Carolina University, Greenville NC
  "Grammatology," Graduate Seminar on Theory and Pedagogy, Johns Hopkins
University, 3/10/89
  "What, How, and Why a Community Communicates:  A Public Forum,"
Hippodrome State Theater, Gainesville FL (Florida Endowment for the Arts),
  "Institutional Invention," Institutions, Normalization, and Power,
Greater Philadelphia Philosophy Consortium, Villanova University 11/1/88
  "The Semiotics of Representation," Tenth International Summer Institute
for Semiotic and Structural Studies, University of British Columbia,
  "A Heuretics of Institutions," Interpretive Studies Colloquium,
University of California, Santa Barbara, 11/18/88
  "Educational Television and the Academic Apparatus," The Right to
Literacy, Ohio State University, 9/18/88
  "Academic Discourse in the Age of Television," Modern Language
Association national meeting, San Francisco, 12/27/87
  "Contemporary Theory and the Curriculum," Association of Departments of
English, University of California, Berkeley, 6/7/87
  "Media and Culture," Colloquium, English Department, University of
Washington, Seattle, 5/2/87
  "Reading Mystorically," Asolo Colloquium, New College, Sarasota FL,
  "Textshop for Poststructuralism," University of South Florida, Tampa,
FL, 3/6/87
  "A Conversation with Michael Graves," College of Architecture,
University of Florida, Gainesville, 2/26/87
  "The Three Ps:  Pedagogy, Popularization, Propaganda, Postmodernism,"
Modern Language Association national meeting, New York, 12/28/86
  "Theory," Faculty Symposium, Saint John's University, Collegeville, MN,
  "On Being Pro Gram:  Electronic Education," Derrida Symposium, Cornell
University, Ithaca NY 9/14/85 


Konsult Experiment (heuretics of online learning)