Nancy Wilson Kitchel, "Visible and Invisible" Individuals: Post-Movement Art in America
Ed. Alan Sondheim

Kitchel provides a relay for how to locate mood or atmosphere in a local and family setting.

"Covering My Face: My Grandmother's Gestures," 1973

How a particular Midwestern storytelling tradition resembles the landscape. How my aunt or my mother can tell a story in such a way that the peaks (of violence) are cut off and the low points are filled up (with details, with emphasis), until the whole is perfectly flat and contains the violence.

This family gesture may be linked with the iconic gestures found in religious art and contemporary entertainment media.

"Last White (Interior Landscape)", 1975

This idea I have that the whole inside of my head resembles this landscape (flat? nothing there?), that the particular, peculiar sense of great space, isolation in space, harshness, clarity, severity, the constant transitions, shifts, reveries, the wild swings form one state to another, forms the visual, auditory, reasoning, base for thought or action. A sense that I have been formed out of the quality of the landscape, that everything unnecessary is being slowly eroded by harsher elements. And the confidence that I will survive, denuded, or that something will survive, something will never stop."

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